Keira Knightley | photographed by Ellen Von Unwerth (2010)

Keira Knightley | photographed by Ellen Von Unwerth (2010)

So many new followers! Soon I will be up in 200 (such a wannabe tumblr famous… -.-)

So many new followers! Soon I will be up in 200 (such a wannabe tumblr famous… -.-)

Lina Zhang by David Slijper for Vogue China  in April 2013

Lina Zhang by David Slijper for Vogue China  in April 2013

(Source: lemademoiselleuk)

(Source: thetickingbomb)


Anna Selezneva for Numéro in April 2013

Anna Selezneva for Numéro in April 2013

[Request] Supernatural - The Genie

(Source: redcigar)

fashioninhistory:

‘Venus’ Ball Gown
Christian Dior
1949
This extraordinary ball gown by Christian Dior, of foggy gray silk tulle, arrayed with an overlay of scallop-shaped petals, is called “Venus.” The bodice and shell forms of its skirt are embellished with nacreous paillettes and sequins, iridescent seed beads, aurora-borealis crystals, and pearls. The glittering overskirt and train adumbrate both the seashell motif and the crescent wave patterns of Botticelli’s Venus. Dior is best known for his revival of the wasp-waisted silhouette seen here. His celebrated first collection of 1947 was dubbed the “New Look” by the influential American editor Carmel Snow, because the corseted, full-bosomed, and hourglass shaping had not been seen for decades. In fact, the “New Look” was an old look revived. After the deprivations of World War II, Dior believed that the survival of the haute couture relied on its ability to restore fantasy and luxury to women’s wardrobes. The fragile effects of this gown, which merges Second Empire romanticism with the classical iconography of ideal and eternal beauty, recall Dior’s belief that “fashion comes from a dream.”- The Metropolitan Museum of Art

fashioninhistory:

‘Venus’ Ball Gown

Christian Dior

1949

This extraordinary ball gown by Christian Dior, of foggy gray silk tulle, arrayed with an overlay of scallop-shaped petals, is called “Venus.” The bodice and shell forms of its skirt are embellished with nacreous paillettes and sequins, iridescent seed beads, aurora-borealis crystals, and pearls. The glittering overskirt and train adumbrate both the seashell motif and the crescent wave patterns of Botticelli’s Venus. Dior is best known for his revival of the wasp-waisted silhouette seen here. His celebrated first collection of 1947 was dubbed the “New Look” by the influential American editor Carmel Snow, because the corseted, full-bosomed, and hourglass shaping had not been seen for decades. In fact, the “New Look” was an old look revived. After the deprivations of World War II, Dior believed that the survival of the haute couture relied on its ability to restore fantasy and luxury to women’s wardrobes. The fragile effects of this gown, which merges Second Empire romanticism with the classical iconography of ideal and eternal beauty, recall Dior’s belief that “fashion comes from a dream.”- The Metropolitan Museum of Art

Lucy Liu - 2013 Golden Globe Awards, January 13th 2013

Lucy looks so fresh & gorgeous! This is a lot of dress, but she’s wearing it beautifully & that thick braid lying over her shoulder is stunning. The print is unique & pretty too, she stands out beautifully.

Alexander McQueen Pre Fall 2013

Alexander McQueen Pre Fall 2013